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The wide swath of homes that are considered part of Uptown in New Orleans holds some of the most opulent and unique architecture in the city, and the homes in the Garden District are quintessential examples of both. However, within this 19-block stretch—running St. Charles Avenue to Magazine Street and Jackson Avenue to Toledano Street—more than a few of these hundred-year-old houses have plaques displayed that detail the building’s long lives. Think of it as a living, breathing museum of both architecture and history for you to explore. It's from this catalog (and possibly for another homesick Iowan wife) that the city’s most well-known cornstalk fence was commissioned in 1858 – that of Col. Robert Short for his home at 1448 Fourth St. (you can find more about the villa on our page about Historic Garden District Homes). Most recently, Scott Roger – renowned in the music world for managing and producing for artists like Paul McCartney and Andrea Bocelli – owned what most locals call the “Cornstalk Fence Mansion,” but it has since been sold to a different local family. This Italian-Renaissance-style villa was designed for Colonel Robert Short of Kentucky by, you guessed it, Henry Howard.
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Part of what drew the couple’s interest specifically to the New Orleans Opera was Mrs. Seebold’s cousin opera singer cousin Baronne de Wartegg who made her debut at New Orleans’ Grand Opera House. Mrs. Seebold was an active member of the Women’s Guild of the New Orleans Opera from its founding until her death in 1966. Twenty-eight years later, George Hitchings Terriberry, who served as King of Carnival in 1940, purchased the house and, due to his ties to the New Orleans Symphony Orchestra, filled the halls with events and musical recitals until his death in 1948. He left the home to his niece Anne Devall Mays, who owned the home until the 1980s and was followed by a string of subsequent owners who added their own renovations. After years of admiring the home on walks from their Philip Street home with their young sons, the current owners say they couldn’t pass up the opportunity when the house went up for sale in 2013. This mid-mod landmark stands out among the classical designs of its neighboring Uptown homes but is no less truly New Orleanian than its designer Leonard Spangenberg.
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Spangenberg was born and raised in NOLA and, like Ledner, studied under Frank Lloyd Wright – particularly at Wright’s Taliesin, his home, studio, and organic architecture laboratory, in Spring Green, WI. In 1950, Spangenberg acted as Wright’s supervising apprentice at the Fuller residence in Pass Christian, MS, which was the closest Wright-designed residence to New Orleans until its destruction by Hurricane Camille in 1969. Spangenberg’s legacy is visible throughout the New Orleans metro area in both residential and commercial architecture, and he is lauded as one of the key liaisons for bringing Wright-inspired modern architecture to NOLA and combining it with local flair. Doullut put his shipbuilding expertise to the test in 1905 when he decided to construct a new home for his family – a project he took on in his spare time with help from his son and hired hand. Rather than the obvious inspiration of the classic riverboats he piloted every day, Dollout’s original inspiration came from a Japanese pagoda (most notable in the houses’ green-shingled rooves) he saw on display at the World’s Fair in St. Louis the year prior. However, the Doullut family’s maritime roots shone through in the finalized design, which sports a cupola resembling a wheelhouse, metal chimneys like smokestacks, and wrap-around galleries like ship decks.
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New Orleans Housing Market Trends and Forecast for 2024 - Norada Real Estate Investments
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Larger interior renovations were made by a few subsequent owners, including prominent Republican lawyer and federal Judge John Minor Wisdom who owned the home between 1947 and 1972. In the world of architecture, New Orleans is best known for its Caribbean shotgun houses, opulent Greek and Italianate-revival manors, and Spanish architecture in the French Quarter (trust us, it makes sense). However, dotted among the local icons are marvels of mid-century modern design made by world-renowned local architects.
Gallier House
Although the date and author of the song are unknown, some musicologists have said that it resembled ballads of the 16th century, and could very easily have derived from one of that time. As a popular folk song, the oldest record of “House of the Rising Sun” in reference to a song was 1905, and it was first recorded in 1933 by an Appalachian group. The version by the Animals, however, is by far the most popular, and Dylan is often annoyed when it is assumed that he covered that song from them. For example, double shotguns have been built in New Orleans for well over a hundred years, and therefore can be found in a range of styles representative of various eras.
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The Napoleon House offers one of the most unique and elegant settings anywhere for parties and receptions. The property is rated among the highest historically significant locations in New Orleans, and is on the National Register of historic buildings. In 1871, the Marianites took over sole control of the orphanage, a duty they would hold for 61 years. In that time, it would grow to include additional buildings, including a Gothic chapel erected in 1891 to replace a wood chapel near the corner of Chartres and Mazant.
Three of the property’s ancillary structures—a cistern, a garçonnière (“bachelor’s apartment”), and a horse stable—are still intact over 200 years later. Thomas Dugan operated primarily as a merchant, but he also ran Killona Plantation— one of many plantations along the Mississippi River in St. Charles Parish—along with his father, who lived on nearby Prytania Street. After Dugan’s death, Laura sold the house in 1907, and the property once again bounced between owners. Its appearance has gone through little change over the years, even when milliner sisters Virginia and Sydney Pendergast ran a boarding house there for sixteen years. Finally, it seems the property is enjoying a well-deserved rest period under current owners Amelia and John Koch, who have owned the house since 1993.
Albert Ledner
The villa underwent a stunning interior renovation before making its debut in 2015 as the most expensive house in the New Orleans real estate market with its 6.5 million dollar listing until the Robinson House firmly took its place that same October. The Seebolds had no children, so upon her death, Nettie willed her home and all of its furnishings and grounds to the Guild, stipulating that they be maintained by the group in perpetuity. Due to a lack of immediate funds, the Guild had trouble completing the extensive repairs needed in the 1970s. Today, thanks to much volunteer work and donations, the house is available for tours and as a rental space for events. Wright also happened to construct a Unity Temple in Illinois (now a UNESCO World Heritage Site), but, while Spangenberg’s design certainly takes influence from his mentor’s techniques and design ideals, the two buildings couldn’t look more different. Spangenberg’s temple is entirely void of horizontal right angles, constructed of two interlocking disc-shaped wings with dome roofs and skylights.
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Aside from the many residential buildings in his native New Orleans, Ledner’s largest projects are a series of union offices and union halls for the National Maritime Union located in the Chelsea district of NYC. Robert Wood opened his original foundry in Philadelphia in 1839, and, by 1857, he combined his forces with Elliston Perot to form Wood & Perot Ornamental Iron Works. The company continued producing many famous ornamental cast-iron elements for fences, balconies, and even graves in New Orleans until its bankruptcy in 1878. Though corn isn’t a common crop in Louisiana, the city has three intact and well-maintained versions of this rare design in different locations around the city. The pattern features repeating cornstalks wreathed in morning glories that wrap around tree-trunk fenceposts, each with a pumpkin at its base.
The rear of the property held a servants’ wing, carriage house, and stable, and the estate grounds are still home to live oaks and magnolia trees. While the base structure of this house is not much different than most others in the area, the fine details are what set it apart as one of the Garden District’s finest Greek Revival-style mansions. All of the interior decorative wood—including staircases, arches, and washstands—was solid mahogany, the cylinder glass was imported from France, and all the mantels were made of the finest, most-fashionable marble. Outside, the first-floor Ionic and second-floor Corinthian columns are placed en antae (bracketed by box columns), their cream tone contrasting the dark, intricate cast-iron galleries and balustrade. All of this is framed beneath a tall, bracketed cornice and surrounded by a delicate cast-iron fence.
The Italianate style was applied to the exterior of shotguns and other houses from about 1860 to 1880, then Eastlake and other "Victorian" styles from 1880 to 1910, and finally the Craftsman style from about 1910 to 1940. This house type is usually found in the Garden District, Uptown, Carrollton and Esplanade Ridge, set well back from the sidewalk and with a full-width front porch. But there are a handful of masonry centerhalls in the French Quarter, Faubourg Marigny and Treme without a setback or front porch. Found most often in neighborhoods such as the Vieux Carre, Treme and Faubourg Marigny, the Creole cottage has a roofline that slopes to the front and to the back, with gables -- the triangle shapes formed by the roof ends -- on the side. A century after the first enslaved Africans landed on the shores of Virginia, enslaved persons arrived to a newly founded French colony, La Nouvelle Orleans, in 1719. By 1830, the population of enslaved persons made up one third of New Orleans’ total population.
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